Thought this was worth a quick viewing! What a year it has been...
Friday, December 10, 2010
Wednesday, December 8, 2010
Best Video - UK DnB Awards
I am a massive fan of Drum and Bass music. DnB music is big back home in the UK where it comes from and just recently the Drum and Bass awards were held. Below is the video that won Best DnB Video of 2010. The video is for a tune by DJ Fresh who is actually a US based artist. Love it!!
Wednesday, November 10, 2010
Remembering Our Talent
I am reading a fabulous book at the moment, City of Thieves by David Benioff, it is about the lives of two young Russian men during the German blockade of Lennigrad (St. Petersburg) in the Second World War. I thought it timely to mention this book and in particular a short passage from it since today is Rememberance Day, I think Americans call it Veterans Day, and the passage I want to share describes talent, something us photographers and all artists a like for that matter seek to harness and develop. Benioff personifies talent as a woman, saying:
"Talent must be a fanatical mistress. She's beautiful; when you're with her, people watch you, they notice. But she bangs on your door at odd hours, and she disappears for long stretches, and she has no patience for the rest of your existence: your wife, your children, your friends. She is the most thrilling evening of your week, but some day she will leave you for good. One night, after she's been gone for years, you will see her on the arm of a younger man, and she will pretend not to recognise you."
I feel like there is so much for us to take away from this little passage. Does our talent really slip away? Here one minute and gone the next? Or can we remain in a constant state of evolution, harnessing our talent as it shifts and turns with our personal growth, our journey through life? Perhaps it is good to have a sense of fear, that our talent could leave us at some point in the future, so that we seize every moment to create exceptional work. In the same moment this passage is both terrifying and exciting, motivating and depressing. But for some reason I feel empowered by it. I can't quite believe that talent simply slips away and instead have to believe that some how we can always keep it close to us, forging a new relationship with our talent as we age and evolve as artists. And therein I think lies some sort of truth. Our relationship with our talent is mysterious and difficult. Every person in the world has talent, everyone. But finding it, tuning in to it and having a healthy relationship with it is perhaps one of the hardest and most challenging relationships of all. Talent then can slip away, but it is up to us to maintain our relationship with it, to continue to learn, and remain open minded. The moment we stagnate, she'll find a better lover.
So while we take a moment to remember, perhaps we should also take a moment to listen to ourselves, tune in to that which we do best and do something exceptional. We owe it to those who died for us and we owe it to our mistresses.
Thursday, November 4, 2010
Finalist in PDN's Digital Pix Contest
Very excited to post that a series of images I entered into PDN's Digital Pix Contest came in as a finalist in the New Talent category. Below is the image that appeared in PDN this month and further down the rest of the images from the series.
Wednesday, August 25, 2010
Red Monster - Finalist in PDN's Great Outdoors Competition
From a tiny stream to the big open ocean and then all the way back again. No wonder they look so ugly at the end of their long journey. Amazing creatures I bow before wild salmon. Their commitment and determination is unparalleled. Very excited to have this image in PDN's Great Outdoors Competition.
Wednesday, August 18, 2010
Fish & Tradition for the Nature Conservancy Magazine
I have been dying to get these images up on my website and blog. Last November the Nature Conservancy set me to the Island of Pohnpei in Micronesia to shoot a story about subsistence spearfishermen and how community conservation initiatives are helping to save Pohnpei's ailing reef fisheries. You can check out the story online over at nature.org
Hands down one of the best assignments I have ever done. The highlights included free diving with some of the best speafishermen in the world, flying in a 1960's Hughes MD 500 helicopter over a remote island atoll and eating dog for the first time...eeek!
I plan to do a breakdown of the assignment and delve into some of the practical and technical issues I ran in to while on assignment, including dealing with shooting in salty wet places, from the air and developing narrative. So stay tuned there is more to come from Pohnpei!
In the meantime below are some of my favourites that didn't make the edit and here is a link to the full story on my website.
Monday, July 19, 2010
The Importance of Personal Work
A year ago I started a personal project called Seasons of Subsistence after visiting a Yup'ik summer fishing camp up here in Bristol Bay, Alaska. After a year of shooting for this project I want to take a moment to reflect on the importance of personal work.
I don't know about you but I'm constantly making up long term projects in my head, whether its a story about the lives of my backyard chickens or the solitary existence of Indonesian raft fishermen. But making these projects become a reality requires a lot more determination, commitment, time, resources and planning than simply dreaming about them. Being able to filter out the crazy ideas from the realistic ones is key to your success and involves being totally honest with yourself. I'm all about dreaming big, don't get me wrong, but executing a long-term, or short term, personal project requires that you get your all of your eggs in just the right baskets.
THE IDEA
Coming up with an idea can often be a real challenge, especially if you haven't quite decided what kind of photographer you are yet and the focus you want to take. I spent many dark hours mulling over a multitude of ideas as I began my photographic journey, many of them completely overambitious. Being realistic with yourself is critical.
So make a list. Put it into three sections: Dream Projects, Realistic Projects, Backyard Projects. Work out what you are really passionate about and what you can realistically achieve within a given time frame, 1 month, 6 months, 1 year. Your backyard projects are ones that you can be working on all the time. Hopefully they don't require huge amounts of resources and they allow you to begin right away. For example at the beginning of the this year I began a project photographing adventure athletes in Seattle. Its a project that I work on all the time, I shoot every month or so and it doesn't require huge amounts of time and money. Your Dream Projects are at the opposite end of the scale. They are big, ambitious, and support your overarching vision as a photographer. Whether they are realistic or not, feasible or something you hope to do "one day" it doesn't matter. More importantly they give you a focus point and set the bar for your creative endeavours. While your Realistic Projects are the ones you start to put into the research phase.
THE RESEARCH
So you have a backyard project or two that you are rolling with and your Dream Projects are providing you with inspiration and a guiding force. Now you have to be really realistic with your self and begin researching for a project that you can pull off, your Realistic Project. Your research needs to be thorough. It is essential that you know as much as possible about the people, issue, location etc of your chosen project. Whenever I get an assignment I begin a very careful research process that involves gathering as much information on the geography, economics, culture, language, climate, current affairs, ecology and infrastructure of where I'm going. Of course my research process for editorial assignments differs from my commercial assignments and your research process will differ from mine. You need to find a process that fits your style. But find a process and take a systematic approach to it so that you cover all the essentials. Careful planning will save you time, money and ensure you do the best job you can.
FUNDRAISING
Fundraising is really important, really difficult and really beyond the scope of this posting. Fortunately there are some great resources out there and the Blue Earth Alliance is the best place to start: www.blueearth.org and a great handbook all about getting projects off the ground: http://www.blueearth.org/downloads/SFTH-Web-Jan08.pdf
EXECUTION
The way you actually end up shooting your project will vary widely depending on the type of photographer you are and the nature of your project. Regardless of these variables, however, are a few things that are universal to executing your project.
Access
Whether you are heading out to document great white shark attack victims or shooting a project on Parisian barristers getting access to the right subject matter is vital to the success of your project. It takes time and commitment to forge these necessary relationships so you'll need to draw upon all of your resources, friends, and contacts.
Resources
Money. Whether you are planning a small backyard shoot or a longterm international project you are going to need money to cover your expenses. Think about all of your possible expenses ranging from rent and office supplies to airplane tickets and special equipment. Then make a budget so you know how much your ideas are going to cost and how much fundraising you have to do. There is lots of great information on budgeting in the Blue Earth Alliance handbook, link above.
Collaborate
Collaboration is one of your most important skills and assets. There will often be other organisations and non-profits working on similar issues to your work. Sharing your ideas with these groups and letting them know what you are trying to achieve can be instrumental in helping your project become a reality. After working with Trout Unlimited Alaska (TU Alaska) in 2008 I came to them with my Seasons of Subsistence project. TU is now one of the fiscal sponsors for the project helping me to fundraise. They also support the project by producing gallery exhibitions and promoting the project through their marketing outlets.
KEEP DOING IT
At first personal projects can seem daunting. Lack of money, lack of focus, making contacts, where to start...? The list goes on. But if you are passionate you will stick at it and while getting a project off the ground can be challenging, the benefits far outweigh the hard graft. Get creative and follow your crazy dreams, as Goethe said, "Dream no small dreams for they have no power to move the hearts of men.”
Here are a few reasons to persevere, stick with it and produce thoughtful and innovative personal work.
Refine your vision
You have complete creative control over your personal projects. No one telling you they want it done a certain way. You can do whatever you want. And this is why personal work is so important, because it is your own personal expression as an artist. When people look at your personal work they peer directly into your creative vision and bear witness to your purest form. Doing personal work then is essential for your personal growth as an artist and a space for you to experiment, make mistakes, grow, evolve and refine your vision.
Hone your skills
Experimenting, making mistakes and evolving are all ways in which we craft new skills. Every time I shoot personal work I discover new ways of shooting, develop new skill sets and make big leaps in my creative thinking. Its just like exercising and training for a sport. We have to flex our creativity!
Prove your worth
Personal work demonstrates artistic initiative and a thirst for creativity. People who hire photographers like to see that the person they are going to hire does more than just fulfill a creative brief and instead brings a unique set of ideas to the table. Your personal work is an important part of your creative toolbox and critical to demonstrating that you are a thriving artist.
I don't know about you but I'm constantly making up long term projects in my head, whether its a story about the lives of my backyard chickens or the solitary existence of Indonesian raft fishermen. But making these projects become a reality requires a lot more determination, commitment, time, resources and planning than simply dreaming about them. Being able to filter out the crazy ideas from the realistic ones is key to your success and involves being totally honest with yourself. I'm all about dreaming big, don't get me wrong, but executing a long-term, or short term, personal project requires that you get your all of your eggs in just the right baskets.
THE IDEA
Coming up with an idea can often be a real challenge, especially if you haven't quite decided what kind of photographer you are yet and the focus you want to take. I spent many dark hours mulling over a multitude of ideas as I began my photographic journey, many of them completely overambitious. Being realistic with yourself is critical.
So make a list. Put it into three sections: Dream Projects, Realistic Projects, Backyard Projects. Work out what you are really passionate about and what you can realistically achieve within a given time frame, 1 month, 6 months, 1 year. Your backyard projects are ones that you can be working on all the time. Hopefully they don't require huge amounts of resources and they allow you to begin right away. For example at the beginning of the this year I began a project photographing adventure athletes in Seattle. Its a project that I work on all the time, I shoot every month or so and it doesn't require huge amounts of time and money. Your Dream Projects are at the opposite end of the scale. They are big, ambitious, and support your overarching vision as a photographer. Whether they are realistic or not, feasible or something you hope to do "one day" it doesn't matter. More importantly they give you a focus point and set the bar for your creative endeavours. While your Realistic Projects are the ones you start to put into the research phase.
THE RESEARCH
So you have a backyard project or two that you are rolling with and your Dream Projects are providing you with inspiration and a guiding force. Now you have to be really realistic with your self and begin researching for a project that you can pull off, your Realistic Project. Your research needs to be thorough. It is essential that you know as much as possible about the people, issue, location etc of your chosen project. Whenever I get an assignment I begin a very careful research process that involves gathering as much information on the geography, economics, culture, language, climate, current affairs, ecology and infrastructure of where I'm going. Of course my research process for editorial assignments differs from my commercial assignments and your research process will differ from mine. You need to find a process that fits your style. But find a process and take a systematic approach to it so that you cover all the essentials. Careful planning will save you time, money and ensure you do the best job you can.
FUNDRAISING
Fundraising is really important, really difficult and really beyond the scope of this posting. Fortunately there are some great resources out there and the Blue Earth Alliance is the best place to start: www.blueearth.org and a great handbook all about getting projects off the ground: http://www.blueearth.org/downloads/SFTH-Web-Jan08.pdf
EXECUTION
The way you actually end up shooting your project will vary widely depending on the type of photographer you are and the nature of your project. Regardless of these variables, however, are a few things that are universal to executing your project.
Access
Whether you are heading out to document great white shark attack victims or shooting a project on Parisian barristers getting access to the right subject matter is vital to the success of your project. It takes time and commitment to forge these necessary relationships so you'll need to draw upon all of your resources, friends, and contacts.
Resources
Money. Whether you are planning a small backyard shoot or a longterm international project you are going to need money to cover your expenses. Think about all of your possible expenses ranging from rent and office supplies to airplane tickets and special equipment. Then make a budget so you know how much your ideas are going to cost and how much fundraising you have to do. There is lots of great information on budgeting in the Blue Earth Alliance handbook, link above.
Collaborate
Collaboration is one of your most important skills and assets. There will often be other organisations and non-profits working on similar issues to your work. Sharing your ideas with these groups and letting them know what you are trying to achieve can be instrumental in helping your project become a reality. After working with Trout Unlimited Alaska (TU Alaska) in 2008 I came to them with my Seasons of Subsistence project. TU is now one of the fiscal sponsors for the project helping me to fundraise. They also support the project by producing gallery exhibitions and promoting the project through their marketing outlets.
KEEP DOING IT
At first personal projects can seem daunting. Lack of money, lack of focus, making contacts, where to start...? The list goes on. But if you are passionate you will stick at it and while getting a project off the ground can be challenging, the benefits far outweigh the hard graft. Get creative and follow your crazy dreams, as Goethe said, "Dream no small dreams for they have no power to move the hearts of men.”
Here are a few reasons to persevere, stick with it and produce thoughtful and innovative personal work.
Refine your vision
You have complete creative control over your personal projects. No one telling you they want it done a certain way. You can do whatever you want. And this is why personal work is so important, because it is your own personal expression as an artist. When people look at your personal work they peer directly into your creative vision and bear witness to your purest form. Doing personal work then is essential for your personal growth as an artist and a space for you to experiment, make mistakes, grow, evolve and refine your vision.
Hone your skills
Experimenting, making mistakes and evolving are all ways in which we craft new skills. Every time I shoot personal work I discover new ways of shooting, develop new skill sets and make big leaps in my creative thinking. Its just like exercising and training for a sport. We have to flex our creativity!
Prove your worth
Personal work demonstrates artistic initiative and a thirst for creativity. People who hire photographers like to see that the person they are going to hire does more than just fulfill a creative brief and instead brings a unique set of ideas to the table. Your personal work is an important part of your creative toolbox and critical to demonstrating that you are a thriving artist.
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